I am extremely happy to share that I have two posts up on Slate’s language blog, Lexicon Valley. Be advised: there is some strong language ahead.
One is a repost of a piece I did for Strong Language, “Something from nothing: A zero-fucks game.” As previously mentioned when I linked to it here, this post discusses an interesting innovation I’ve been hearing on an expression, giving zero fucks.
The other is a new piece and something of a change of pace for me. It’s a close reading of of Graham Greene’s “The End of the Party,” which I am certain is the most terrifying short story you haven’t read. Slate has titled it: “Graham Greene’s Vocabulary of Light and Dark Makes This the Most Terrifying Short Story You Haven’t Read.”
Here’s a teaser:
For a story all about being afraid of the dark, the scariest thing in Graham Greene’s “The End of the Party” may just be his lexicon of light.
Greene may be best known for novels such as The Power and the Glory or his screenplay for The Third Man. Though a short, early, and lesser-known work, his 1929 “The End of the Party” still displays the craft that made him a giant of 20th-century English literature. Here, what is most masterful is the way Greene develops a subtle but eerie language of light to illuminate the enveloping and ineffable terror of his story’s dark. The effect is a chilling chiaroscuro in words.
Head over to Lexicon Valley to read more.
If you’re hungry for some word history while you’re there, Forrest Wickman has a timely post for today, Back to the Future Day: “Great Scott! Who was Scott? The Origin of Doc Brown’s Favorite Phrase, Explained.”
Look for a new post later this week.
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